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The Immaculate Room !!LINK!!



Parents need to know that The Immaculate Room is a thriller about a couple (Emile Hirsch and Kate Bosworth) who sign on for an experiment to see if they can last 50 days in an empty room for $5 million. It doesn't really push any boundaries, but it looks great, and the actors sell it. A gun is shown in more than one scene, and a character is shoved against the wall, causing a bleeding, dripping head wound. A character has a vision about drowning and violently panics. A topless woman's bare breasts are visible but partly obscured by her long hair; her bare bottom is also seen, as is a man's bare torso. Three people take Ecstasy, get high, and kiss one another. Dialogue includes occasional use of "f--k," "s--t," "bitch," and more, as well as sex-related talk, dialogue about death, and dialogue about smoking a "fat blunt."




The Immaculate Room



In THE IMMACULATE ROOM, Mike (Emile Hirsch) and Kate (Kate Bosworth) have signed up for an experiment. They must spend 50 days in a white room, together, alone, with no contact with the outside world. If they succeed, $5 million is theirs. They're confident it can be done, but soon stress and extreme boredom set in. Mike decides to take a "treat," which takes $100,000 off of their prize. It turns out to be a green crayon, and he decorates the walls. Kate finds a gun. Mike takes another treat. This one costs $250,000, and it turns out to be a naked woman, Simone (Ashley Greene). Kate takes her treat, which turns out to be three hits of Ecstasy. It's not long before jealousy and guilt rear their heads. Will Mike and Kate make it to the end?


While it doesn't go as far or dig as deep as it might have, this tense drama still has interesting ideas and vivid visual schemes, as well as strong performances. The design for The Immaculate Room is everything you could hope for. The room is vast, with nothing but a bed, a little nook for the doorway, and a separate bathroom (food, or, rather, goopy life-sustaining liquid, is delivered at mealtimes). It's oppressive in its whiteness, and the movie takes on a whole different tone after Mike's beautiful, eerie green artwork adorns the walls. Hirsch and Bosworth provide the movie's beating heart, adding just the right amount of energy to the still surroundings.


The Immaculate Room follows a seemingly perfect couple who take part in a psychological experiment that will reward them $5 million if they can stay in a perfectly white room for 50 days. But the room is much more than it seems, and a hidden past and private demons will reveal shameful truths that they may not survive.


Michael Walsh (Emile Hirsch) and Katherine Frith (Kate Bosworth) enter a cavernous white room giddy with excitement. They're easily going to win millions. The rules are straightforward. A digital clock counts down the fifty days. Color-changing LEDs line the bottom and top walls. There's a large bed, bench in the middle, and oval-shaped ceiling lights. A side door leads to a bathroom which allows only one person. A drawer dispenses "FOOD", a colorless and flavorless liquid in a carton. A woman's voice alerts to wake up, midday, and bedtime. A black camera watches from above. A big red button sits on the wall. Both participants quitting loses the money. There's a million-dollar prize if someone chooses to stay alone for the duration.


Rasa: Some of that was written in the script around when the lights turn on and off. Mukunda and I talked a lot about having some sort of sunlight that would move across the room to show passage of time. We were talking about sunlight coming through a grate in the ceiling, and we had some design iterations of ideas. I looked at a lot of ways to accomplish this with a moving light(s) in the ceiling on a motorized rail etc.


We end up having three chandeliers in the room, each with a 12k maxibrute inside, blasting down which motivates the light of the room. They were on chain motors that allowed us to dial in heights per camera setup which really helped. Then for the night work, the LED lines around the bottom of the room help create a motivated light source. Of course there are more movie lights above the set, primarily four 1020 muslin skinned softboxes each with 6 Skypanels and 2 5k tungsten skypans. I had to light for the slow motion parts of the film and needed a lot of light, especially for some of the Phantom work we did at very high speed.


The intriguing drama, "The Immaculate Room," written and directed by Mukunda Michael Dewil ("Vehicle 19") is certainly a film for the pandemic era. The high-concept plot has Michael (Emile Hirsch) and Catherine (Kate Bosworth) secluded in an almost all-white space for 50 days to win $5 million. However, if either of them leaves the room, the prize money drops to $1 million. Also, while they can bring nothing inside, they can purchase up to two "treats" each for some of the prize money. (Food in the form of a liquid in a milk carton that "smells like nothing," is dispensed through a device in the wall along with some of the treats.)


The characters spend much of their time inside the immaculate room playing a waiting game, and watching the film is a bit of a waiting game as well. Sure, it opens with Michael full of energy and big ideas about how he will spend his share of the cash. (One involves hanging with Elon Musk.) Hirsch gives a kinetic performance, shaking with restless excitement in the opening moments, and later running around the room in an effort to keep busy and fit. He even draws all over the white walls with the green crayon he gets as his first "treat" to stave off boredom. Hirsch's eyes are often wide and dart around quickly; he is very expressive, even if it becomes clear that his mind is almost as blank as the room. He repeats the words on his shirt tag in different accents at one point, which amuses.


Production is underway on the psychological thriller for Productivity Media. The Immaculate Room portrays a seemingly perfect couple who take part in a psychological experiment that will earn them $5 million if they can stay in a perfectly white room for 50 days.


Thepremise of The Immaculate Room, whichhas a gimmick that could very well become a reality TV show in the future (if ithasn't been done already), suggests something far more intriguing than theexecution of writer/director Mukunda Michael Dewil's movie delivers. We follow acouple, stuck together by choice in a cavernous but spare room in an attempt towin $5 million. All they have to do is stay in this room, which contains only abed and a bench and a connected bathroom, for 60 days.


There'sno television or computer in this space. The two aren't allowed to bringanything into the room except the clothes on their backs, and even those aresoon replaced with garments in the style of hospital scrubs. In other words, nophones are permitted, and contact with the outside world is essentiallynon-existent in here. A computer voice, which offers some helpful tips butmainly scolds the couple if they break any rules, does tell them the generaltime of day, which is important, since there are no windows in this room paintedcompletely white, either.


When wefirst meet Mike (Emile Hirsch) and Kate (Kate Bosworth), each of them is as muchblank slate as the room itself. They are dating, or they have been off and on,at least, for a notable amount of time. It's long enough for Mike to joke thatKate's idea to split the winnings in half essentially amounts to a pre-nuptialagreement, and her less-than-joking response that he would have to actuallypropose for that kind of arrangement is an early indication that the couple'sstay won't be all fun and games.


Dewilcheats the bareness of this premise more than a bit, too. A pistol randomlyfinds its way into the bathroom, which establishes expectations that we knowwill have to be paid off at some point, and then, there's the matter of the"treats" the couple can buy to pass the time. One is as simple as acrayon, but another is significant as another person. She's played by AshleyGreene Khoury, who arrives in a state as loaded for jealous conflict aspossible.


Story: The Immaculate Room starts when Mikey (Hirsch) and Kate (Bosworth) take part in a perfect room contest. They must stay in the same room for 50 days and they will win $5 million. The time spent in the room sees them needing to overcome their own challenges.


The Immaculate Room is a thriller that sees a couple put to the test by agreeing to stay in a room for 50 days for a prize of $5 million. This ends up seeing their relationship stretch as they figure out whether they can make it through the challenge.


Written and directed by Mukunda Michael Dewil, the film stars Emile Hirsch and Kate Bosworth as a couple who join an experiment for the chance to win $5 million dollars, under the condition they can spend 50 days in a completely white room with no contact with the outside world.


"1 room. 2 people. $5 million. If you leave, you lose."Couple Mikey and Kate get the chance to win $5 million. For this they have to coop for 50 days in an empty room. It seems an easy task, but the room holds up a mirror to them. Both Mikey and Kate see their real selves creeping up.


The story is about a seemingly perfect couple who take part in a psychological experiment that will earn them 5 million dollars if they can stay in a perfectly white room for 50 days. But the room is much more than it seems, and a hidden past and private demons will reveal shameful truths that they may not survive.


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